écaille

11940,79

by Ulrika Liljedahl

HAUTE COUTURE

MATERIALS Wool, Silk, Metal threads

TECHNIQUE Hand tufted

SIZE 220 x 200 cm

PRICE* 11940,79

* Price incl. VAT includes : Packaging of the product and home delivery regardless of your country of residence.

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Description

metal threads

A few thousand years before Christ, Roman, Chinese, Persian and Egyptian craftsmen used to cover in gold leaf the threads that they were going to weave for the rich and powerful. Later, weavers used gold and silver threads to embellish tapestries woven out of wool or silk. These threads were difficult to work and extended production times. They required particular skills, passed from generation to generation. From the XVIIth century onward, new techniques made it possible to create very fine metal threads able to go through fabric. Today, the metals used with textile fibres are silver, gold and copper, but also aluminium, iron or stainless steel, and come in every colour. In PINTON’s Couture collection, these fabulous threads are inserted alongside traditional wool or silk yarns, to create poetic and graphic pieces imagined in partnership with contemporary artists and designers.

hand tufted

La technique du tuftage main est un procédé qui mêle savoir-faire ancestral et outil de tissage moderne. En effet, sur le canevas parfaitement tendu sur un métier vertical, l’artisan reporte à la main le graphisme du futur tapis avec la plus grande précision. L’implantation des fils, brin par brin, se fait manuellement à l’aide d’un pistolet sur l’envers du canevas, en suivant les couleurs, le dessin et les différentes hauteurs de mèche. PINTON a fait preuve d’innovation en étant l’une des premières manufactures à utiliser la technique du tuftage au pistolet pour la fabrication de certains de ses tapis et pour la fabrication de certaines de ses moquettes. C’est l’unique manufacture française à offrir une telle qualité de tapis tufté. Cette technique permet une production plus rapide que le tissage au point noué. Enfin, le tuftage main offre un large éventail d’épaisseurs possibles. La méthode du carving permet ensuite de sculpter la laine et créer des reliefs sur le tapis ainsi tissé. Dès le début des années 90, PINTON s’est spécialisée dans la réalisation de tapis tuftés main pour lesquels elle collabore aussi avec des designers et des artistes célèbres.

wool

Wool is an animal fibre, most often derived from sheep fleece. Wool was already being spun as early as 5,000 BC. In Roman times, wool, leather and linen were the main materials used to make clothes. With the progressive development of mechanical processes and the evolution of breeding techniques, wool became the economic lung of several countries in the Xth century, and again in the XIIth. Renowned for its thermal and sound insulation properties, wool also offers the advantage of absorbing moisture. It is a noble and timeless material, used from time immemorial for its strength and durability. PINTON uses local wool with shorter carded fibres, which make it fluffier and give it more volume, or a specific type of wool from New-Zealand with long combed fibres that are more resistant to heavy traffic. Both types of wool are spun (carded or combed) and dyed in the spinning plant located in Felletin. Whether they are made in 100% pure virgin wool or blended with other materials like linen, silk, bamboo, leather or many others, PINTON wool rugs and carpets bring comfort and quality.

Ulrika
Liljedahl

Ulrika Liljedahl is a Swedish artist living and working in Paris. She frequently works in collaboration with couture and luxury ready-to-wear names such as Christian Lacroix, Alexander McQueen (Givenchy), John Galliano (Dior), Jean-Paul Gaultier, Yves Saint Laurent, Louis Vuitton or Marc Jacobs. For them, Ulrika Liljedahl develops materials and original textiles. Some of her pieces have been exhibited in various museums around the world such as the Metropolitan Museum of Art in New York, the Bunkamura Museum in Tokyo, the Musée Galliera and the Musée de la Mode in Paris. Others are included in major collections, including those of the Centre National des Arts Plastique or the Musée Galliera.

The collaboration between Ulrika Liljedahl and PINTON is set to last. For the firm, the artist weaves a mysterious, organic and poetic world piece after piece, using original patterns and combinations of materials attracting the eye and inviting the touch.

silk

Silk is a natural animal fibre derived from the cocoon spun by the caterpillar of the bombyx mori (worm of the mulberry tree), unsurprisingly called the “silkworm”. Invented in China in the IIIrd millennium before Christ, silk wasn’t produced in Europe, mainly in Italy, before the end of the Middle Ages. And it’s only under the reign of Henri IV that silk production developed in France with the planting of 4 million mulberry trees in the Ardèche, Dauphiné and Cévennes areas. Silk threads are very strong and quality weaving makes silk very resistant. It gives a particular shine to the woven pieces and combines easily with other materials such as wool or bamboo. In its Couture collection PINTON offers 100% silk rugs, incredibly soft. In tapestries silk is most often used in complement of one or more other materials like wool or even cotton.

inserts

Like flowers brightening a wheatfield and giving extra charm, inserts embellish our rugs. They bring an original and precious touch, using threads in materials as unexpected as lurex, phosphorescent fibres, metal, vinyl or leather. An insert is a different material woven into a rug. It can also be made of beads, ribbons or rivets. Inserts add a whole new dimension to a rug and enhance a texture or material, or play with the light in a new way, creating unusual contrasts. Inserts are a perfect illustration of the skills applied by our craftspeople to the production of our Couture rugs. They offer the artists and designers with whom we collaborate many possibilities and a vast areas for exploration and experimentation. Facilitated by the PINTON expertise and the company’s love of innovation, this process allows the artists’ imagination to roam freely. It gives them the opportunity to reinvent materials and create outstanding rugs, both tactile and visually appealing, generating curiosity and admiration.